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The Brazilian Percussion Ensemble will explore Afro-Brazilian and Afro-Cuban folkloric styles such as Samba, Capoeira, Maculele, Ijexa, Rumba, ect. Open to all levels of musical experience. Come explore a rich tradition of rhythm and song. Singers are encouraged to participate as well.
Paradise Valley Community College’s Center for the Performing Arts (CPA) will host a series of music concerts on the first Saturday of September, October and November 2016. These free performances are presented on the CPA’s outdoor amphitheater stage from 6-8 p.m., and audience members are invited to bring a folding chair or blanket as the space accommodates lawn seating only. Several of Phoenix's most popular food trucks will be on site to serve concessions. Cash donations will be accepted.
For more information about events in the Center for the Performing Arts, go to the Center for the Performing Arts page or call 602-787-7738. Box Office hours are 12-5pm Tuesday through Friday and one hour prior to show.
The Center for the Performing Arts is conveniently located at 34th Street and Union Hills at the east end of the campus of Paradise Valley Community College in North Phoenix. Parking is free. For additional information or reservations, please call 602-787-7738 or visit the Center for the Performing Arts page.
SATURDAY, SEPTEMBER 10TH : THE CHUCK HALL BAND (ELECTRIC BLUES)
6:00p-8:00p, Free Admission
The Chuck Hall Band creates art in the form of music. The recipe they use is simple: Start with blues that’s so greasy it clogs the arteries in your ears. Stir in generous portions of refined talent and raw passion, add a dash of showmanship sprinkled with a touch of salty humor and cook on high heat until it smokes. Serve steaming hot. The result is a spicy musical feast that satisfies and always leaves you wanting more.
The chef, Chuck Hall, was born in Louisiana and raised on the Texas side listening to the likes of many artists including Lightnin’ Hopkins, Muddy Waters, Freddie King and Albert King. Since moving to the Valley in 1984, he has become a well-known and respected musician. As a 35+ year veteran in the music business Chuck has played with some of the best, opening shows for Albert Collins, B.B. King, Johnny Winter, Albert King, Willie Dixon, Robert Cray, Gregg Allman, the Fabulous Thunderbirds, and many others.
Chuck’s unique talent and uncompromising dedication to his craft have earned him accolades among fans and critics. He won “Best Blues Guitarist” in Arizona two years in a row, and his song “Young Boy” was selected Best Song by Soundboard magazine. He also was inducted into the Arizona Blues Hall of Fame in 2000.
SATURDAY, OCTOBER 15TH : GRUPO LIBERDADE (BRAZILIAN MUSIC AND DANCE)
6:00p - 8:00p, Free Admission
Grupo Liberdade is a performance group dedicated to freedom of expression through Culture, Movement & Sound. We promote COMMUNITY, DIVERSITY & EMPOWERMENT drawing upon the traditional & contemporary rhythms of Brazil and beyond while bringing an original sound & energy to our desert metropolis. Specializing in Batucada including the Afro-Brazilian styles of Samba, Samba Reggae, Côcos and Maracatu, Grupo Liberdade strives to share the infectious sounds of Brasil with Arizona to further enrich, move & inspire.
Since 2004, the group has performed throughout Arizona under the direction of Brazilian native, Poranguí from leading the Annual Phoenix Parade of the Arts through downtown Phoenix, to drumming & dancing in the new year for thousands of party-goers at the historical Hotel Congress in Tucson. Founded in 2008 by Angelique Starks, the SambAZ Dancers have quickly become one of the liveliest and most notable Samba acts in the country. Dedicated to creating music to move the body & soul, this project brings together diversity on all levels with an incredible show of talented musicians & dancers that must not be watched, but experienced!
SATURDAY, NOVEMBER 5TH : DAVEY ARNOLD (COUNTRY MUSIC)
6:00p - 8:00p, Free Admission
Davey was born and raised in Whittier, CA. Ever since he was a kid, he dreamed of being a professional baseball player. After playing Junior College Baseball, he decided to trade the bat and glove for a six string.
Davey moved to Tempe, AZ where he attended Arizona State University. After a long day of classes, you’d find Davey in local clubs playing to anyone who wanted to listen. Soon, he was playing the biggest venues in Arizona such as The Bird’s Nest at the Waste Management Open in Scottsdale and The Pepsi Amphitheater in Flagstaff.
Davey has opened for national Country recording artists such as Dierks Bentley, Joe Nichols, Brothers Osborne, Chris Janson, and Craig Morgan to name a few. He also recently played Arizona’s largest Country Music Festival, Country Thunder in Florence, AZ.
In May of 2016, Davey released his new single, Autumn Love…and is continuing to play all around Arizona and the Southwest.
PVCC IS A TOBACCO-FREE CAMPUS
In order to promote a healthy learning and work environment, the Maricopa County Community College District has created smoke-free and tobacco-free campuses effective July 1, 2012. Smoking and all uses of tobacco is prohibited at Paradise Valley Community College, including but not limited to parking lots, rooftops, courtyards, plazas, entrance and exit ways, vehicles, sidewalks, common areas, grounds, athletic facilities and libraries. Visitors also must adhere to this policy when on campus for public events.
NO EXPERIENCE NECESSARY!
The music department at Paradise Valley Community College is pleased to present a new series of hands-on musical opportunities for students, staff and members of the community.
All events in this series are FREE and only require an interest to learn something new and have fun.
Learn to play and dance to the exciting rhythms from Brazil.
All Drums provided. Joe Goglia and Samuel Peña instructors.
Learn techniques in Studio Recording, Electronic Music and more!
Brett Reed, JCK Music / John Keenan, and Tsone (Tony Obr), instructors.
All styles of music, spoken word and poetry are encouraged.
Performers will need to sign up at 6:00pm to perform.
Join us this summer for free concerts, music workshops & our summer musical!
Thursday, May 26th at 7:00pm, Free Admission
Center for the Performing Arts, Mainstage Theater
Featuring a presentation by PVCC graduate Jonathan Lucas (US Army 2004-2012), and musical performances by the Salt River Brass Quintet, PVCC music student Rachel Brown, and vocal soloists.
Donations will be accepted for the PVCC Veteran's Student Scholarship Fund.
hursday, June 2nd at 7:00pm, Free Admission
Aquila Hall Outdoor Stage, Black Mountain Campus
34250 N. 60th Street, Scottsdale, AZ 85266
Featuring performances of small jazz ensemble music ranging from classic jazz standards to modern jazz.
Audience members are invited to bring a folding chair or blanket for seating.
Tuesday, Wednesday and Thursday Evenings, 6:30pm-8:30pm
June 7th - 30th, Free Admission, Family Friendly
Drum and Dance Workshops featuring Brazilian Music
KSC 1000A (located in the center of campus)
Music Technology Workshops focusing on techniques in Studio Recording, Audio Mixing, Electronic Music and more!
Center for the Performing Arts Computer Lab (CPA 120)
Singer/Songwriter Open Mic
Center for the Performing Arts Lobby/Art Gallery
All styles of music, spoken word and poetry are encouraged.
Performers will need to sign up at 6:00pm to perform.
irty Rotten Scoundrels by Jeffery Lane and David Yazbek directed by Andrea Robertson. Based on the popular 1988 MGM film, our summer musical takes us to the French Riviera for high jinx and hilarity. Lawrence Jameson makes his lavish living by talking rich ladies out of their money. Freddy Benson swindles women by waking their compassion about his grandmother's failing health. After meeting on a train, they attempt to work together only to find that this small French town isn't big enough for the two of them! Show Dates: June 17, 18, 24, 25 at 7:30pm and 19, 26 at 2:00pm.
$15 adults; $12 seniors/staff; $10 students/military; $8 children
*4 additional ticket fee at the door 1hour prior to performance.
Click HERE to purchase tickets online
18401 N. 32nd Street • Phoenix, AZ 85032 Phone: (602) 787‐7738
www.paradisevalley.edu/cpa
#puttingtheAinsteam
• PLAY, located in the SE corner of the gallery, is an interactive sound installation featuring a Theremin (electronic musical instrument) and several audio filters to alter the sound (via guitar effects pedals). Visitors are invited to PLAY the theremin and engage the guitar effects pedals to create unique tambres. In addition, schematic diagrams of the theremin and filters will be displayed for those interested in electronics and engineering.
• D!G, located in the West corner of the gallery. Designed as a dance/installation piece, D!G comprises 22 self-contained microprocessor/sensor/speaker assemblies. Each assembly utilizes a micro SD card to store and playback sensor data and a LiPo battery for power. Sensor/speaker assemblies are covered by hand-made crocheted pieces to give them a more appealing aesthetic. In playback mode in installation, sensors are distributed on string tapestries throughout the gallery. The intention is to allow audiences a more exploratory approach to the sound. Other features of the installation include a subsonic vibrating bench and tablets preloaded with an Android app. All elements work with the concept of the measurement/capture/representation of movement.
• A live electro-acoustic music performance featuring acoustic musical instruments (piano, percussion, strings, etc.) and electronic components, filters, compressors, effects units and computer software. PVCC commercial music faculty members Jacob Adler (instruments) and Tony Obr (technology) will lead the performance and hold a series of Q & A’s with audience members.
• PLAY, located in the SE corner of the gallery, is an interactive sound installation featuring a Theremin (electronic musical instrument) and several audio filters to alter the sound (via guitar effects pedals). Visitors are invited to PLAY the theremin and engage the guitar effects pedals to create unique tambres. In addition, schematic diagrams of the theremin and filters will be displayed for those interested in electronics and engineering.
• D!G, located in the West corner of the gallery. Designed as a dance/installation piece, D!G comprises 22 self-contained microprocessor/sensor/speaker assemblies. Each assembly utilizes a micro SD card to store and playback sensor data and a LiPo battery for power. Sensor/speaker assemblies are covered by hand-made crocheted pieces to give them a more appealing aesthetic. In playback mode in installation, sensors are distributed on string tapestries throughout the gallery. The intention is to allow audiences a more exploratory approach to the sound. Other features of the installation include a subsonic vibrating bench and tablets preloaded with an Android app. All elements work with the concept of the measurement/capture/representation of movement.
• An electro-acoustic musical performance featuring 3 miniature toy pianos and specially constructed speaker cones to playback 3 channels of 1-bit electronics.
• A new electro-acoustic performance and a multimedia embodiment (visual/audio) of real-time Twitter data. The Twitter data creates a generative graphic score that is interpreted by the performer on percussion instruments. Audience members are encouraged to participate by including the hashtag #SIFTT in their reaction tweets during the performance. Tweets that include the #SIFTT influence the algorithms that generate the audio and visual components of the work.
• A live, improvised, multi-media work that blends digital and analog instruments and processes during a live performance
• A new percussion composition, Omónoia combines specific constellations (listed by Ptolemy) mapped as musical material and visual stimuli. The purpose is to create a graphic score that can be read in any direction. Additionally, the performers participate in creating the score by matching up portions of the score to make a map for performance. Performers use a wide range of implements to create various timbres while occasionally returning to the conventional method of playing the instrument. This piece demonstrates the importance of perspective and how vastly different interpretations can arise from the same material.
• A real-time collaborative performance between two dancers, two musicians and a lighting designer. These five artists come together to compose a piece with light, music and dance in real-time. Each performance offers unique perspectives to the audience as it unfolds. Inspired by the passage of time, this collaboration revels in a temporal ebb and flow via the body, sound and shifting light.
The Music Department at Paradise Valley Community College is pleased to offer a wide variety of music performance ensembles for the Spring 2016 semester. The music ensembles are open to music students and community members of all ages and abilities. The spring offerings include Concert Band, Jazz Big Band, Latin Jazz Band, Jazz Combo, Vocal Ensemble, String Ensemble, Cello Ensemble, Piano Ensemble, Contemporary Music Ensemble, Clarinet Ensemble, Multimedia Ensemble, Brazilian Percussion Ensemble, Student Rock Band and much more!
Music Ensembles are listed in the course catalog under the prefix MUP and course number 160, 185, 181, 190.
Music Ensembles meet once per week in the late afternoon and evenings in the Center for the Performing Arts.
The ensemble experience at PVCC provides students with community: our ensembles are a mix of high school students, college-age students, community members and retired professionals. Students and instructors collaborate to select repertoire for public performances held in the Center for Performing Arts. Students gain practical and performance experience in instrumental, vocal, and mixed ensembles.
Spring 2016 Ensembles at PVCC:
MUP 163 Jazz Ensemble: Jazz Big Band
MUP 181 Chamber Music Ensemble: Union Jazz Institute
MUP 181 Chamber Music Ensemble: Jazz Combo
MUP 181 Chamber Music Ensemble: Latin Jazz
MUP 190 Percussion Ensemble: World Music
MUP 181 Chamber Music Ensemble: Multimedia
MUP 181 Chamber Music Ensemble: Openscore
MUP 181 Chamber Music Ensemble: Flute
MUP 181 Chamber Music Ensemble: Cello/String
MUP 181 Chamber Music Ensemble: Brass
MUP 181 Chamber Music Ensemble: Band
MUP 181 Chamber Music Ensemble: Recording
MUP 181 Chamber Music Ensemble: Classic Piano
Register for Spring 2016 at classes.sis.maricopa.edu
The Festival of Tales is a FREE storytelling festival at Paradise Community college. From 9:00 a.m. to 2:00 p.m., children from the community engage in different types of literacy-based activities: arts & crafts, storytelling and more. During registration each child is given two tickets - one for a “book walk” and the other for a free book.
Children have the opportunity to pick their favorite book at a table set up with hundreds of different types of books for different reading levels. They receive free books by doing the “book walk.” Music plays as they walk around a number placement; when the music stops numbers are drawn and the number called out receives a free book! Children play games centered on literary characters and participate in storytelling sessions in which books are read aloud.
Throughout the event live music was playing provided by the PVCC Ensembles. Two bands played: a jazz band and a Latin jazz band. They had various instruments such as a saxophone, cello, bass guitar, and tambourine as their timbre and a piano. The rhythm of the songs that were being played made you want to get up and dance! It was a fun and great way to spend a Saturday afternoon.
The Jazz Under the Stars event held on Tuesday October 13th in the PVCC outdoor amphitheater was a night of toe tapping entertainment. Between the two “Big Band Music” groups, there was a variety of slow, to moderate, to fast tempos of music. Any age could go out and enjoy the lovely music being played. The causal environment made the whole atmosphere a family-friendly setting. The bands helped each other out on stage during the performance, and the director openly made jokes about himself and the band. The casual setting also made the performance all the more enjoyable. The entire performance was outstanding.
Each band kept the same tone throughout their movements. Hearing the instruments battling each other out in dissonance to resolve themselves in harmonies was a new experience. Most bands that play will try to stay constant with the other sections, but jazz is freer than that. For example, some pieces played were originally written for other instruments, such as the alto saxophone, but were manipulated for other instruments like the trombone. With each band, it was obvious that for some pieces, certain instruments were the focal point. With other pieces, adding an instrument made a huge difference. The addition of an instrument was the difference in making a classical piece modern.
Each band had soloists in every selection they performed. To highlight the soloists, they would stand and use a mic to amplify their instruments. Not only did the mic help the solo clearer, but the rest of the band would back off the notes and harmonies, just to crescendo back into the piece. In the first band, they had a key soloists perform with them. He is a professor at the University of Central Florida, Mr. Mike Wilkinson. Mike performed in several of the performances and added a new feel to the band.
The first band was bigger than the second band. They had larger sections for the instruments, as well as had more soloists. The first band is what you would think of with a stereotypical jazz band. The second band had an all around new style to the way they performed. The director was an actual band player himself and played in the performance. In this band, there was a more prominent feel to the revolutionary styles of jazz, and added more modern instruments, drum sets and a bass, to modernize the sets. Although the second band had fewer members, the power behind the instruments was well known. In the first band, the crescendos were powerful, and the sound carried throughout the amphitheater. Where the second band lacked in power, it made up for it in the difficulties of the music.
Each band also brought something different to the table. The first band brought a professional trombone player to assist them, where the second band had a really cool advantage of have a composer in their set. The second band always tries to play a piece of his every show, this shows being titled Burk the Baby.
Jazz Under the Stars was a very fun experience. From learning about music in class, to really hearing it live and in person is a whole new experience. From a college band, that amount of perfection put into these pieces was amazing. You wouldn’t have been able to tell if this was a class, or if it as a group of people doing what they love. Jazz Under the Stars was a really good all around experience.