2017 Phoenix Experimental Arts Festival

Saturday, February 11, 2017, 7:30pm-10:30pm, Free Admission

Center for the Performing Arts, Paradise Valley Community College

18401 N. 32nd Street, Phoenix, AZ 85032

The 2017 Phoenix Experimental Arts Festival will feature six world premiere performances of inter-media and interdisciplinary works of art, all of which are based on and/or inspired by the “Visions of the Future” posters series from NASA/JPL.

This year’s festival is focused on STEAM (Science, Techonology, Engineering, Arts, Math), and how the various disciplines in the fine and performing arts interact with and are inspired by topics and ideas from STEAM disciplines. In addition to the performances by some very talented musicians and artists, students from Paradise Valley Community College’s Astronomy program will create supporting documentation and videos to provide additional information about the six posters chosen for performance on the festival.


Casey Farina

Audio/visual Performance/ Video projection and Stereo audio

Poster: HD 40307g

Bio: Casey Farina is a Phoenix-based artist who creates digital media experiences from iterative-electronic processes. This work often combines Farina’s expertise in digital media, animation, music composition, and improvisation. Casey's animated graphic scores have been described as "imaginative" and "progressive" by colleagues and are frequently performed throughout the U.S. Uncertain.Indeterminate.Unknown, Farina’s dissertation work, examines contemporary ideas in cosmology via a digital media performance system. Farina’s installation, project CONDOR, showcased electronic music played by a fleet of miniature robotic airships and was funded by a grant from the Center for Interdisciplinary Research in the Arts (CIRA) at Northwestern University. Casey was awarded to residency at the Atlantic Center for the Artsto study with iconoclast Mark Applebaum and has presented work at the International Computer Music Conference (ICMC), the International Society of Improvising Musicians, the Percussive Arts Society (PAS) conference, and the Spark Festival of electronic music and art. He is currently teaching in the Digital Media Arts program at Glendale Community College and has studied with J.B. Smith, Steve Syverud, Chris Mercer, and Glenn Hackbarth.


Artist: Team Solo Patch 

Future Soul Music/Live Music Performance

Poster: PSO J318.5-22

Bio: Team Solo Patch is a high energy three piece funk band that formed in 2015. Crafting the sound of jazz through modern Dance, House, and Synthwave lenses. A small group, they strive to get the most bang out of your buck by live looping and extensive live computer editing. They are scheduling to relase their first full length album in Early 2017


painless guillotines 

Dark Ambient Electro-Acoustic/Live Music with Electronics

Poster: Europa

Bio: painless guillotines is an electro-acoustic duo that seeks to blend the artist’s diverse backgrounds into a single coherent dark ambient soundscape. By blending techniques often associated with Heavy Metal and other techniques more closely related to the Avant-Garde  painless guillotines creates a Massive Sound with the intended purpose of Massive Effect. painless guillotines accomplishes this dark soundscape world by utilizing guitars, clarinets, EWIs, pedals, Ableton Live, and a heavy dose of improvisation. We invite you to enjoy painless guillotines as we find our way through the dark. The light, however, may never come...


Karl Schindler (performer), Jeremy Muller (composer)

Audio-visual work with audience participation/grand piano

This piece centers around a simple piano solo with a visualization projected on a screen in the background. Additionally, audience members can use their personal phones, tablets, etc. to visit a website designed specifically for this piece to add musical elements from their mobile devices. This will create a texture that extends the piano part and immerse the audience in the sound.

Poster: The Grand Tour


DATURA

Multimedia performance with audio/electronics/dance/computer generated visuals

Poster: Jupiter

Bio: DATURA was formed in 2013 by John D. Mitchell, Tony Obr, and Joe Willie Smith
to develop a multidisciplinary approach to improvisational performance and, at the same time,
 explore the boundaries and cross overs in the use of digital and analog media and processes in live performance settings.


[[[personablack]]]

Electro-Acoustic, Doom, Noise/live percussion with electronics/video projection

Poster: Titan

Bio: [[[personablack]]] is a multimedia artist who focuses on simple materials


About the poster series via jpl.nasa.gov:

"Imagination is our window into the future. At NASA/JPL we strive to be bold in advancing the edge of possibility so that someday, with the help of new generations of innovators and explorers, these visions of the future can become a reality. As you look through these images of imaginative travel destinations, remember that you can be an architect of the future.

A creative team of visual strategists at JPL, known as "The Studio," created the poster series, which is titled "Visions of the Future." Nine artists, designers, and illustrators were involved in designing the 14 posters, which are the result of many brainstorming sessions with JPL scientists, engineers, and expert communicators. Each poster went through a number of concepts and revisions, and each was made better with feedback from the JPL experts."

 

Phoenix Experimental Arts Festival - February 20th, 2016

Phoenix Experimental Arts Festival

Saturday, February 20, 2016

Paradise Valley Community College

Center for the Performing Arts (CPA)

 

#puttingtheAinsteam

 

Events/Activities:

 

12:00pm-4:00pm: OPEN HOUSE

Center for the Performing Arts Lobby/Gallery:

• PLAY, located in the SE corner of the gallery, is an interactive sound installation featuring a Theremin (electronic musical instrument) and several audio filters to alter the sound (via guitar effects pedals). Visitors are invited to PLAY the theremin and engage the guitar effects pedals to create unique tambres. In addition, schematic diagrams of the theremin and filters will be displayed for those interested in electronics and engineering.

• D!G, located in the West corner of the gallery. Designed as a dance/installation piece, D!G comprises 22 self-contained microprocessor/sensor/speaker assemblies. Each assembly utilizes a micro SD card to store and playback sensor data and a LiPo battery for power. Sensor/speaker assemblies are covered by hand-made crocheted pieces to give them a more appealing aesthetic. In playback mode in installation, sensors are distributed on string tapestries throughout the gallery. The intention is to allow audiences a more exploratory approach to the sound. Other features of the installation include a subsonic vibrating bench and tablets preloaded with an Android app. All elements work with the concept of the measurement/capture/representation of movement.

 

Center for the Performing Arts Music Room (CPA 115):

• A live electro-acoustic music performance featuring acoustic musical instruments (piano, percussion, strings, etc.) and electronic components, filters, compressors, effects units and computer software. PVCC commercial music faculty members Jacob Adler (instruments) and Tony Obr (technology) will lead the performance and hold a series of Q & A’s with audience members.

 

6:00pm-7:00pm: PRE-PERFORMANCE EXHIBITS

Center for the Performing Arts Lobby/Gallery:

• PLAY, located in the SE corner of the gallery, is an interactive sound installation featuring a Theremin (electronic musical instrument) and several audio filters to alter the sound (via guitar effects pedals). Visitors are invited to PLAY the theremin and engage the guitar effects pedals to create unique tambres. In addition, schematic diagrams of the theremin and filters will be displayed for those interested in electronics and engineering.

• D!G, located in the West corner of the gallery. Designed as a dance/installation piece, D!G comprises 22 self-contained microprocessor/sensor/speaker assemblies. Each assembly utilizes a micro SD card to store and playback sensor data and a LiPo battery for power. Sensor/speaker assemblies are covered by hand-made crocheted pieces to give them a more appealing aesthetic. In playback mode in installation, sensors are distributed on string tapestries throughout the gallery. The intention is to allow audiences a more exploratory approach to the sound. Other features of the installation include a subsonic vibrating bench and tablets preloaded with an Android app. All elements work with the concept of the measurement/capture/representation of movement.

 

7:00-10:00pm: SIGNATURE PERFORMANCES

Center for the Performing Arts Mainstage:

• An electro-acoustic musical performance featuring 3 miniature toy pianos and specially constructed speaker cones to playback 3 channels of 1-bit electronics.

• A new electro-acoustic performance and a multimedia embodiment (visual/audio) of real-time Twitter data. The Twitter data creates a generative graphic score that is interpreted by the performer on percussion instruments. Audience members are encouraged to participate by including the hashtag #SIFTT in their reaction tweets during the performance. Tweets that include the #SIFTT influence the algorithms that generate the audio and visual components of the work. 

• A live, improvised, multi-media work that blends digital and analog instruments and processes during a live performance

• A new percussion composition, Omónoia combines specific constellations (listed by Ptolemy) mapped as musical material and visual stimuli. The purpose is to create a graphic score that can be read in any direction. Additionally, the performers participate in creating the score by matching up portions of the score to make a map for performance. Performers use a wide range of implements to create various timbres while occasionally returning to the conventional method of playing the instrument. This piece demonstrates the importance of perspective and how vastly different interpretations can arise from the same material. 

• A real-time collaborative performance between two dancers, two musicians and a lighting designer. These five artists come together to compose a piece with light, music and dance in real-time. Each performance offers unique perspectives to the audience as it unfolds. Inspired by the passage of time, this collaboration revels in a temporal ebb and flow via the body, sound and shifting light.