Welcome to the Film Festival at PVCC! Sponsored by the Center of International Studies, the festival theme for 2018 is International films. Join us in the Center for Performing Arts on the following Wednesday nights. Admission is free!
January 31st, 2018
6:30pm
COMING HOME
(China, PG-13; 2014)
Lu Yanshi (Chen Daoming) and Feng Wanyu (Gong Li) are a devoted couple forced to separate when Lu is arrested and sent to a labor camp as a political prisoner, just as his wife is injured in an accident. Released during the last days of the Cultural Revolution, he finally returns home only to find that his beloved wife has amnesia and remembers little of her past. Unable to recognize Lu, she patiently waits for her husband's return. A stranger alone in the heart of his broken family, Lu Yanshi determines to resurrect their past together and reawaken his wife's memory.
February 14th, 2018
630pm
THE ITALIAN
(Russia, PG-13; 2005)
For most Russian orphans, the chance to be adopted is a dream come true. But six-year-old Vanya Solntsev has other hopes. After discovering his mother is still alive, the abandoned boy teaches himself to read so as to learn her address from his personal files. Before a wealthy Italian couple can claim him for their own, Vanya sets off on a perilous journey to find his only remaining family. Pursued by orphanage staff and the police, the determined runaway must now face the most difficult challenges of his young life in this incredible story inspired by true events.
February 28th, 2018
630pm
PHOENIX
(Germany, PG-13; 2014)
A spellbinding mystery of identity, illusion, and deception unfolds against the turmoil of post-World War II Germany in the stunning new film from acclaimed director Christian Petzold (Barbara, Jerichow). Nelly (Nina Hoss), a German-Jewish nightclub singer, has survived a concentration camp, but with her face disfigured by a bullet wound. After undergoing reconstructive surgery, Nelly emerges with a new face, one similar but different enough that her former husband, Johnny (Ronald Zehrfeld), doesn't recognize her. Rather than reveal herself, Nelly walks into a dangerous game of duplicity and disguise as she tries to figure out if the man she loves may have been the one who betrayed her to the Nazis. Evoking the shadows and haunted mood of post-war Berlin, Phoenix weaves a complex tale of a nation's tragedy and a woman's search for answers as it builds towards an unforgettable, heart-stopping climax.
March 21st, 2018
630pm
MANUSCRIPTS DON'T BURN
(Iran, NR; 2013)
Based on true events, the story revolves around a manuscript detailing a 1995 failed assassination plot by the Iranian regime against twenty-one writers and journalists. Almost twenty years later, the existence of this document remains a threat and the head of the censorship board has hired two killers, Morteza and Khosrow, to collect the remaining copies and silence the participants. A masterful storyteller, Rasoulof slowly reveals the relevant details, splitting the narrative between the henchmen and their isolated, state-oppressed victims. Shifting tone from suspense to art-house drama, and moving between past and present with seamless fluidity, we follow Morteza and Khosrow on their mission while silently observing the suffocating existence of three surviving writers. Rasoulof was arrested in 2010 alongside fellow filmmaker Jafar Panahi for "acting against national security." He was given a prison sentence and banned from making films for twenty years
